Screening Part 1
26.09.2021 at 5 pm
Doors open from 16:30. The screenings are followed by chat panels. Free entrance

4 Eyes. Keiichi Tanaami, 1975. 9’
Harbour City. Simon Liu, 2015. 13’
Mariam Jafri vs. Maryam Jafri. Maryam Jafri, 2019. 12’
Almargen. Anto Astudillo, 2018. 6’
0,8 Square Metres. Kristina Norman, 2012. 30’
Shadow. Rikuro Miyai, 1968. 12’
The Zone of Total Eclipse. Mika Taanila, 2006. 6’

Artists:
Anto Astudillo, Lawrence Abu Hamdan, Su-Chen Hung, Saodat Ismailova, Myriam Jacob-Allard, Maryam Jafri, Piibe Kolka, Simon Liu, Rikuro Miyai, Kristina Norman, Morgan Quaintance, Mika Taanila, Keiichi Tanaami

Curators:
Len Murusalu, Julian Ross

Len Murusalu is an Estonian artist and filmmaker. Her interdisciplinary work explores questions around the interpretation of history, identity and time using moving image, video performance, installation and painting. She is a producer and film director at ChronoLens and the founder of AmiLab, an NGO dedicated to artists’ moving image development. She has a master’s degree from the Royal College of Art in Contemporary Art Practice: Moving Image and is a 2021 Oberhausen Seminar Fellow.

Julian Ross is a Japanese-British researcher, curator and writer based in Amsterdam. He is an assistant professor at Leiden University Centre for the Arts in Society (LUCAS) and a programmer at International Film Festival Rotterdam (IFFR). His curatorial projects on Japanese expanded cinema have been presented at Tate Modern, Art Institute of Chicago, Eye Filmmuseum, Pioneer Works and Tokyo Photographic Art Museum. He is co-editor of Japanese Expanded Cinema and Intermedia: Critical Texts from the 1960s (Archive Books).

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Artists’ Film Programme as part of the Main Programme of the 6th Tallinn Photomonth Contemporary Art Biennial.

The artists’ film programme of the Tallinn Photomonth biennale 2021 consists of two thematically joined and partially expanded screenings that unite historical and contemporary works of artists’ moving image across the world. The screenings engage with doubles, diplopia and dialogue, within themselves and with each other, on both a conceptual and a visual level